Shayla LaVeaux is in Las Vegas this week shooting for a couple of the companies there. The three Tuesday shoots were content sharing for the same fetish producer, Taylor St. Clair. Not the type of content I was enthused about Shayla shooting; however, aside from the usual non-sex fetish scenarios (breast expansion / smelly feet — cough) Taylor produced a full hardcore femdom scene as a favor to Shayla which will eventually (early summer, perhaps) be available for membership download at Shayla.com. The femdom scene was a reunion of sorts, pairing Shayla with “John”, whom she and Chasey Lain had tag-teamed way back in Fan Sexxx: Pure Gold Pussy_Scene 1 (2004).
Wednesday’s shoot for Brazzers featured her third encounter with Tommy Gunn. Didn’t know there was a second encounter after True Porn Fiction (2005)? Well, then you have to get yourself that $19.95/month subscription to Shayla.com and learn all about Shayla’s role in Miko Lee’s abandoned vampire epic: Forbitten. Getting back to the scenario at hand, Shayla owns a men’s clothing store and Tommy is a guy who comes in for a suit. Shayla determines to take his full measure.
Thursday’s shoot for Brazzers was a coupling with that brother with the bionic johnson, Prince Yahshua. There is some significance to this shoot merely in the fact that it was Shayla’s first B/G scene with a new partner since Craving Cougars (2010). In this scene Shayla is a lady out for a run, whereas Prince is out trolling for ladies. Approaching her as a yoga teacher, he succeeds in luring her back to his place for instruction in advanced positions.
When these scenes are going to be released by Brazzers is dependent upon which individual “site” (division) within their network was assigned production of the scene. It might be in as little as a month, it might be significantly longer. We will keep you apprised.
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Don’t bother trying to open them.
In the 03/16 update for www.shayla.com Michael Ninn re-debuted (which is not actually a word, so — APRIL FOOL!) his HD restoration of Scene 1 from FEM ARIA (2002). Well, it was really only the first two-thirds of the scene that were included in the update. The first segment was the solo sequence featuring Shayla LaVeaux; the second segment was similar but spotlighting Jenna Haze. Now, the restored Scene 1 is finally completed with the inclusion of the G/G component.
In his most recent feature release, THE FOUR (2011), Ninn’s photography was influenced by the chiaroscuro techniques of Baroque painting. He has not freed himself of that influence yet, because he tries doing that here with images taken a decade ago. His intent is to make it seem as if the light is being generated from within Shayla’s body and radiating outward. Ninn’s results are mixed, but the flawless beauty of the main ingredient cannot be disputed.
For this update Uncle Gibby gave his account of the second night of Shayla LaVeaux’s return to exotic dancing. More accurately, it was an account of how Uncle Gibby spent his day in Detroit until it was time for Shayla and Olivia Parrish to resume their second evening as the feature entertainment at the Bouzouki Greektown. Unfortunately, there are no pictures available of this event nor of the historic first night, because Shayla had neglected to hand her camera over for Uncle Gibby to use (his experience in photography was primarily the reason I sent him to Detroit, but — whatever)! Anyway, the pictures of Shayla’s third and final night of feature dancing in Detroit are scheduled for Shayla.com’s 04/18/12 update. So be there then, if you’re not therein already!
No video clip this time, but a very special photo-set:
It was only a 35-pic teaser, really. The bulk of the photos commemorating that event are coming in a future update, with, one would expect, a detailed reminiscence by Shayla.
For this update commemorating the birthday of Michael Ninn, www.shayla.com is making available for the first time anywhere Ninn’s specially restored HD cut of FEM ARIA (2002) Scene 1 — featuring Shayla LaVeaux and Jenna Haze. Maybe “restored” is an inaccurate assessment. What Ninn has done is to not only restore the scene to its originally intended widescreen dimensions (Shayla’s head is no longer cropped off the side of the screen as she dances, which was a problem in the original release), but he has also reprocessed the lighting contrast and color separation. This decision presents its own problems in terms of picture clarity in the black and white sequences, but it’s OK, because shayla.com already had the original release SD version of the scene available for download, anyway!
Happy Birthday, Michael Ninn!
Happy St. Patrick’s Day, Shayla!